With Joy, Phish returns to the studio with producer Steve Lillywhite (Billy Breathes) and caps off their return from the indefinite dark time since they ‘broke up’ in 2004. They’re older, wiser, healthier, and more optimistic than on 2004s Undermind and it shows. Life hasn’t always been easy for the past five years but there are good things around us all and Phish has decided to show us the way.
“Backwards Down The number Line” is a perfect distillation of a jamband pop-rock song. Catchy melody merged with interwoven instruments and a solo that gives chills. Reminiscent of the ecstatic, melodies in a Summer ’97 “Gin” jam with a touch of early 70s Dickey Betts, this solo is worth the price of admission. The lyric may be a tad syrupy but syrupy is not territory that Phish has mined heavily in the past so it’s not as if we should be sick of it, yet. They go there several times on this record and come out with some delightful gems. If “BDTNL” was too syrupy, “Stealing Time From The Faulty Plan” responds with a bit of a punch in the face. Opening with tension, driven by a pounding piano and ripping guitar riff (“machine-gun Trey” makes an appearance on the solo,) this song has a strong yet abstract lyric that is open to enough interpretation to keep the fans guessing.
The title track follows with a delicate introduction and a moving lyric. “Joy” is connected to Anastasio’s sister’s recent passing from cancer. Such a topic could leave a listener wrapped in grief but this tune turns sadness into inspiration. In life, if you encounter someone who is hurting, it can be a challenge to reach out with empathy and lift them up. Phish would not be my first guess of bands that could do so in song; until now. Continue reading
