Bird Song

If anyone actually regularly read this blog they’d know that updated nine days in a row is actually a rare display of commitment. Last year’s Jerry Week didn’t make all 9 days mostly because I’m what’s commonly known as a slacker. Oh well.

That having been said, for today’s post, I thought I’d share some vague and unorganized thoughts about  The Grateful Dead. I’m going to pu ton a tune and write on it for a few… And to stifle the collective yawns from my readership, I’m going to stream that music here from the get-go so you can listen while you read.

The above show (1982-08-06) is one that I got on tape more than 15 years ago. The “Bird Song” is a long standing favorite.  (Go ahead, skip right to it.) The recording may not be the crispest ever but the playing is on point. Brent’s keys rig out and his voice warmly complements Jerry’s plaintive vocals. This song, written in memory of Janis Joplin can be heartbreaking. It is shot through with longing and the benefit of hindsight before offering the advice to clutch tightly those special few for whom time is likely short. Slipping pas the verses, Jerry begins to stretch and explore the theme. This is Grateful Dead music at its most perfect. Loose, slippery, on the cusp of flying out into oblivion but still hanging two wheels on the tracks as it rounds each twist and turn.

Brent Mydland

When asked, in the latter half of his career, why the Grateful Dead seldom played “Dark Star”, Jerry replied that there is a little bit of “Dark Star in almost everything they play. This is keenly apparently on any decent version of this song. I recall seeing “Bird Song” at a show at Hampton Coliseum. It utterly swept me up and carried me away. I can still find myself back on that floor, dancing about; egoless. And I remember stirring out of my trance as Jerry brought the lyrics back around for a reprise and repeated the line, “snow and rain,” like a mantra. It held no great meaning for me then but it still carved an impression into my consciousness. I’ve since ran with a few interpretations of the full line,

“Tell me all that you know, I’ll show you snow and rain.”

Share with me that which you’ve learned in this life and I’ll offer what I know of the elements, snow and rain, cold and sorrow, death and grieving and comfort. I love hearing “Bird Song” with Brent.  His high harmonies on the refrain give me chills…

“Don’t cry now
Don’t you cry
Don’t you cry any more
Sleep in the stars
Don’t you cry
Dry your eyes on the wind.”

Until tomorrow…

btw… The delay on this post is due to a recent upgrade to WordPress and me trying to adapt to the new editor ‘features’.

Wall Of Sound

 

Much has been written about the Grateful Dead’s commitment to presenting a show with great sound. Today’s installment for Jerry “Week” is a show from June 18, 1974 when the Wall Of Sound was in its heyday. An older friend of mine once told me that the Wall of Sound was, to date (this was 1995) the greatest sound system he had ever heard. For more about the Wall Of Sound, here, and here.

 

1974-06-18
Freedom Hall – Louisville, KY

Set 1:
The Promised Land, It Must Have Been The Roses, Black Throated Wind, Ramble On Rose, Beat It On Down The Line, Loser, Mexicali Blues, Eyes Of The World -> China Doll, Around And Around

Set 2:
Loose Lucy, El Paso, Row Jimmy, Weather Report Suite -> The Other One -> It’s A Sin Jam -> Stella Blue, Big River, Tennessee Jed, Sugar Magnolia

Encore:
Morning Dew

This show represents yet another grand slam in a year when they were consistently hitting home runs. The whole thing is great from “It Must Have Been The Roses” to “Loser” to “Eyes > China Doll”and a second set that, still is in my car on cassette. Dim the lights, turn up the speakers and send the kids to bed…

 

As before, the stream is on Page 2. Continue reading

Classical Dead

Last Friday, August 1, the Baltimore Symphony Orchestra premiered Lee Johnson’s Dead Symphony #6 to a packed house. Ten years in the making, Johnson (pictured above) recently conducted a recorded performance with the Russian National Orchestra (available here and through your favorite download service (iTunes, etc.))

Opening playfully with variations on “Finniculi Finnicula” (a ditty often presenting itself in the Grateful Dead’s onstage tuning jams) this full, twelve movement, symphony swoops into a powerful “Saint Stephen.” While each of the movements centers on a particular song, these are not all straight-and-simple arrangements. “Here Comes Sunshine is recognizable from its themes but is not structured familiarly.

“Mountains of the Moon” is presented tenderly with straightforward layers of strings while “Blues For Allah” opens with a clarinet that snakes to the fore (reminding me of a particular Gershwin composition) and proceeds to provide sufficient bombast to leave me wishing that it were longer.

“Sugar Magnolia” manages to retain its dance-number energy and “To Lay Me Down” stands out as an emotional cornerstone of the work. French horns carry the melody ad strings weave a sonic tapestry.

“If I Had The World To Give” is reminiscent of a George Martin arrangement for The Beatles (in the best way) and, after non-symphonic applause, is followed by “Stella Blue.” Once again, a solo clarinet stands in for Garcia’s vocal. This actually shifts into some of the more interesting music of the night, an orchestral ‘jam’ of crashing percussion, whirring strings and horns; building and nearly exploding before settling back down into a brief “Bird Song.”

“China Doll” marks another emotional touchstone and is rendered beautifully. Before the “Finniculi Finnicula” reprise closes out the work.

All in all, Dead Symphony #6 is a strong work that will certainly appeal to Deadheads and may well attract mainstream classical listeners. I encourage the curious to seek out the official release (linked above @ http://www.deadsymphony.com) for those less certain of their interest, there is an unauthorized recording of the Baltimore Symphony performance in circulation but, if you seek that, please consider purchasing the official release and/or contributing to the BSO

Listen to samples here.