Newsletter, November 2022

Got to thinking the other day, “maybe I should write a newsletter.”

It’s mid-November and the cold has come on. Twitter is stumbling towards what? Surely its demise. But how soon and in what shape? It’s become hard to rely on that thing and maybe we shouldn’t have anyway. It had the possibility, within its framework, to aid the building of communities. People had to attend to, nurture, and feed these communities just like anywhere else but the connection interface was strong. The discovery of these communities was also a good feature. Moving to new platforms requires a redevelopment of these skills. We scatter to Mastodon, Reddit, Instagram, Discord and who knows where else and try to reassemble the networks that have long informed, entertained, and supported us.

The Brokedown Podcast was able to morph into a platform for experimental musicians because I could find and connect with artists so easily on Twitter. Truth is, I’m lazy enough that simple barriers can be insurmountable on the wrong Tuesday. Sending out blind emails to PR folk, managers, or whatever unmonitored gmail account I may find on a website last updated in 2017 is not nearly as easy, effective, or satisfying. We’ll see how that all goes.

But I haven’t come to bury Twitter. I’ve come to drive a fresh flag of sovereignty into the ramparts and look out on the internets and see what is good.

What is good?

The year is ending and, unlike the past three years, will likely slide away without a holiday single from yours truly. I have a couple songs in mind but they’re just not going to be ready for your ears by last week so I’m happily going to forgo the entire thing and point out to you that I released an original song last year and I’m still pleased with it.

That’s my daughter, Piper, and my wife, Amy, singing backup on that tune and they do a lovely job.  

Back in June, I released “Slips, Trips, & Falls”, my second full-length album. I got some nice press from Record Crates United:
“…a fine balance between pleasant country-tinged singer-songwriter fare and cosmic Americana.” 

Currently, there are CDs available which would make a fine holiday gift for the lover of whatever sort of music I make. I highly recommend it. I’ve also got a couple (very few!) CD copies of the first album, “Sunken Road”, along with a mess of 7” singles if that’s your thing. All, of course, available in the Bandcamp store.

2 compact discs and a 7"record.

https://jmhart.bandcamp.com

Proceeds of all of that go to production costs for the next album. 

Next album, you ask?

Why yes. I have another album that is, at this time, completely tracked. I hope to have it mixed and mastered in due course and move towards releasing it in some way in the new year. Maybe come Spring? We’ll see how things fly. 

Inquiries are welcome, nay, encouraged.

In fact, my mailbox is ajar and ready for your missives. Send along whatever you’ve got. I’ll hit you back in due course. If you don’t know, I’ll just put it out there. I’m rowjimmy AT gmail. Use it wisely.

So, nothing new but the new stuff, I suppose, is the current state of being. I remain on the twitter web site if only to see which way the frame falls when it finally goes up in flames. That’s @rowj. Don’t expect much in the way of posts. For that sort of thing, I’m now on Mastodon at the slightly more complicated @rowjimmy@shakedown.social. If you don’t know how that all works, ask your kids or your neighbor’s kids.
I’m also on instagram still @therealrowjimmy or @brokedownpod if you just want the scoop on the show. 

An abridged version of this free newsletter has also been issued via my bandcamp page. If you go up there and follow me, you’ll get all the new news when it’s hot. Full versions will also be posted here on my internet website. I’m thinking that now may be the time to get back into the old blog but, no promises on that front. Big news will come via this newsletter so stay tuned, get your friends tuned, keep your guitars tuned (and humidified) and stay warm this winter.

-J.M. Hart

Slips, Trips, & Falls Album Release

(Archived news, June 2022)

"Slips, Trips, & Falls" Album Cover

“Slips, Trips, & Falls” my second full album, is out now!

Featuring seven original songs, “Slips Trips, & Falls” was also home recorded with a bit of remote assistance from friends. It is available digitally from most major streaming & purchase platforms as well as on my Bandcamp page (jmhart.bandcamp.com) where you will also find CDs. 

I’ve even seen some favorable reviews this time around from Record Crates United:
“striking a fine balance between pleasant country-tinged singer-songwriter fare and cosmic Americana,”

and Here Comes The Flood:
Hart is never in a hurry with his music, carefully choosing his words, and wrapping his lyrics in cosy layers of various string instruments.


Sunken Road

(Archived News from 2021)
Sunken Road Album Cover

Sunken Road“, my first album, came out on Aug 6 2021! You can find it on my Bandcamp page, jmhart.bandcamp.com.

The album features nine original songs, and was recorded at home; two with a little help from friends. It is available in a very limited lathe-cut (Sold Out!), on cd (remember cds?), and as a digital download. You can also find a 7″ vinyl single on that page. Check it out below!

As of 2022, “Sunken Road” is also available on all major streaming platforms that do not end in “tify“.

Favorite Albums of 2020

Folks, this has been a hell of a year. Some might call it a hellscape of a year. I’m writing this in hopes that you and yours are making it through and hoping to see the daylight of a better 2021 on the horizon. I know that’s a tall order. One thing that has helped me day-to-day is the same thing that I’ve rushed to forever: music. Staying home every day has kept me close to my record collection and there has been no slow-down to its growth. I could admit that I have a problem but I’m fairly certain that the fault lies with the artists who cannot stop producing outstanding and very collectable work.

Previously, I have sworn off ranked album of the year lists. I have since bristled at even attempting unranked lists because there’s so much to share that I’m definitely going to forget something. My wife blames my broad and insatiable taste in music. She really gets me. Some of these have been mentioned on my podcast, BrokedownPod. A few of these artists have even been so gracious as to appear on the show. The mission here is not to plug the show it is also not intended to turn into a push for Bandcamp. But then I realized that almost everything here can be found there. You can also find a slew of stuff that didn’t make the list if you go to my profile: https://bandcamp.com/rowjimmy

Now it’s time for an impenetrable list featuring more content than you can shake a stick at, and presented in no discernible order. There is a little bit of a sequence or flow devised that might serve if you took the time to listen to each in order but… no one is going to do that. I purposefully wrote this in several sittings because each time I stepped away, I thought of things that I couldn’t leave out. Even still, I left some great stuff out so, an honorable mentions list will likely follow. I finally decided to cap the list at twenty-five items because, as arbitrary numbers goes, that’s a pretty good one. I love all of these for different reasons, some of which I will attempt to explain.

  • Woods – Strange To Explain
    • I’m putting this one first because they show up on my list every year they put out a record. I wonder if these guys could put out an album that I don’t like? I’m not pushing for that. They’ve grown as humans and musicians and it’s plain in this record. (Bandcamp)
  • Dire Wolves – I Just Wasn’t Made For These Set Times
    • Deep, group explorations in the line of their other recent studio work. This is for the heads. Live set “Flow & Heady” (out on Feeding Tube Records) is aptly named and well worth your energies too. (Bandcamp)
  • Wet Tuna – Eau’d To A Fake Bookie Vol. 1-3
    • Look, the Matt Valentine/COM universe is vast. These excursions have extended it throughout the dark 2020 times. Ride these waves into the wired weird spaces. (Bandcamp)
  • Chris Forsyth/Dave Harrington/Ryan Jewell/Spencer Zahn – First Flight
    • Collaborating with great players is the theme for a couple of Forsyth’s releases this year. This live record has enough energy shooting through it to keep your speakers warm in the coming winter. Don’t sleep on the Peoples Motel Band record with Garcia Peoples! (Bandcamp)
  • Mosses – T.V. Sun
    • Speaking of Ryan Jewell, it seems an age since he was on BrokedownPod. we spoke of this album and played a little and, to be honest it feels like I’ve always had this album. It’s mind and genre bending and rewards multiple listens. (Bandcamp)
  • Garcia Peoples – Nightcap At Wits’ End
    • These guys just keep growing and showing more strengths than is fairly contained in a single young band. (Bandcamp)
  • Nick Mitchell Maiato – Pino Carrasco
    • One Eleven Heavy had plans for 2020 that got scrapped. Some of those plans were folded into Nick’s recorded-in-lockdown jammer that I keep going back to play. Get it. (Bandcamp)
  • Trummors – Drop Out City
    • Cosmic American music goes west. Great songs and deep vibes. I celebrate their entire catalog. (Bandcamp)
  • Pacific Range – High Upon The Mountain
    • These California cats get it. Produced by Dan Horne (Circles Around The Sun) who had a great EP this year himself (The CATS record is good too!) (Bandcamp)
  • Color Green – s/t
    • More cosmic Californian vibes on this EP. I’m looking forward to a full length because, if you could wear out a digital download, I might have done by now. (Bandcamp)
  • Joan Shelley – Live At The Bomhard
    • Late to Joan’s work, I found it in a big way this year when I ordered this and wow did it deliver. Her voice shimmers and her words are deployed with precision. Backed by a band of ringers too. (Bandcamp)
  • Bonny Light Horseman – s/t
    • Sort of a super group, perhaps, featuring Anaïs Mitchell, Josh Kaufman, and Eric Johnson delve into traditional folks sounds and come away with a lovely record. (Bandcamp)
  • Hello Emerson – How To Cook Everything
    • Panning from plaintive to soaring this album spins honest and relatable thoughts into a truly compelling set of songs. (Bandcamp)
  • Chris Sedelmyer – Ravine Palace
    • Known, perhaps, for his work with Jerry Douglas (who guests on this) Sedelmyer should hereafter be remembered for this stunning set of compositions and playing. Can’t wait to hear the next one. (Bandcamp)
  • Matt LaJoie – Everlasting Spring
    • Spiraling guitars inducing trance states is where this lives. LaJoie’s Flower Room Records has been prolific throughout 2020 with tons of great music for your mind. (Bandcamp)
  • Steve Palmer – Useful Histories
    • The phrase “visionary expanse” comes too mind when I try to place this music. Guitar driven, aural treat. (Bandcamp)
  • Prana Crafter – Morphomystic
    • The soundtrack to an adventure deep into the dark heart of a forgotten magic forest. Will Sol’s guitar carries you from your seat into an otherworldly realm. (Bandcamp)
  • Barry Walker Jr. – Shoulda Zenith
    • Taking pedal steel beyond previously perceived limits, Walker is at times treating it like Paul Metzger does a banjo. Not just a fancy slide guitar, the pedal steel becomes a medium for un earthly sounds on this fascinating record. (Bandcamp)
  • The Howard Hughes Suite – Smoke From A Future Fire
    • Another, but very different pedal steel driven album. Less experimental and more ethereal. Elsewhere I compared this to “an oil painting of a distant landscape, textures and details arise and serve as conveyance to another place.” Either way, a good listen. (Bandcamp)
  • Josh Kimbrough – Slither, Soar, & Disappear
    • North Carolina finger style guitar player, Kimbrough, captures the ear and imagination with this set of instrumental tunes; meditations on a new sort of life. (Bandcamp)
  • Elkhorn – The Acoustic Storm Sessions
    • Elkhorn again expands their duo format to worthy effect. Pairs nicely with the preceding “Storm Sessions” LP. (Bandcamp)
  • Rose City Band – Summerlong
    • Quickly on the heels of the previous cosmic country jammer, Ripley Johnson (Moon Duo, Wooden Shjips) delivered one of my top Summer spins. (Bandcamp)
  • Dogwood Tales – Closest Thing To Heaven
    • This feels like Virginia. Not the Virginia you outsiders think you know but real, rolling down the the mountains to the piedmont sorta Virginia. Folk Rock shot with Country and the grease of an I-81 truck stop. There’s also a nice live release. (Bandcamp)
  • Zachary Cale – False Spring
    • He was JUST on my podcast. This album has wrapped me up and held me on many a day this year. I expect that it shall continue to do so for some time yet. (Bandcamp)
  • Gillian Welch & David Rawlings – All The Good Times
    • This record might be my favorite for the year if I were forced to pick just one. It’s loaded with stunning beauty, sadness, and joy. The material runs from traditional to Norman Blake, Bob Dylan, and the late John Prince. While limited and rare in physical form, the digital is still available for what is basically required listening. (Bandcamp)

2016 Albums

My Favorite Records of 2016

I’m sitting and listening to the thudding bass and wailing vocals which kick off the new Childish Gambino record, “Awaken, My Love!”, as I consider the yearly slog through the exercise of ranking albums. This album certainly makes a strong case and, being freshly released in December, it has a decided edge over a few great releases that might’ve slipped off the immediate radar. But that’s what we’re attempting to assess, isn’t it? The question isn’t, “What albums did you like?” The question is, “What albums are truly noteworthy?” This album, with its unabashed references to Funkadelic and Prince might well belong on that sort of list. I’ll let it spin and see if it comes back around as we talk.

I’ve harped on giving up this year-end thing so many times that I’m bored with the standard excuses about feeling compelled by the quality of the material or wanting to offer a rebuttal to other lists. I’m not going to lie, I like to look back and see what has landed in my collection and heart. I do not like ranking items. How can I compare a cultural cornerstone artist to an up-and-coming musician with only a couple albums in her catalog? It’s patently ridiculous. So don’t look for rankings here. No bullet points or whatever, either. Consider that method off limits and don’t try to interpret the sequence of my narrative as an order of preference.

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