2016 Albums

My Favorite Records of 2016

I’m sitting and listening to the thudding bass and wailing vocals which kick off the new Childish Gambino record, “Awaken, My Love!”, as I consider the yearly slog through the exercise of ranking albums. This album certainly makes a strong case and, being freshly released in December, it has a decided edge over a few great releases that might’ve slipped off the immediate radar. But that’s what we’re attempting to assess, isn’t it? The question isn’t, “What albums did you like?” The question is, “What albums are truly noteworthy?” This album, with its unabashed references to Funkadelic and Prince might well belong on that sort of list. I’ll let it spin and see if it comes back around as we talk.

I’ve harped on giving up this year-end thing so many times that I’m bored with the standard excuses about feeling compelled by the quality of the material or wanting to offer a rebuttal to other lists. I’m not going to lie, I like to look back and see what has landed in my collection and heart. I do not like ranking items. How can I compare a cultural cornerstone artist to an up-and-coming musician with only a couple albums in her catalog? It’s patently ridiculous. So don’t look for rankings here. No bullet points or whatever, either. Consider that method off limits and don’t try to interpret the sequence of my narrative as an order of preference.

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2014: A Few Favorite Records

In this year-closing time frame of lists, reviews, recaps, and rehashes, I’ve gone back and forth on the notion of providing a favorite albums post for a variety of reasons. These range from vanity to the desire to operate in any mode that counters my hungry ego. I have done year-end lists before, and upon reading them, realized that I’m not qualified to tell anyone what’s the “best” anything. Foremost among the arguments against is the simple fact of scope. I’m not a professional music critic. By that, I intend not to imply that the pros have greater authority due to their receipt of compensation, but rather that they have the time and inclination to listen to a far broader selection of releases in the course of a year.

That said, I do listen to a lot of new music. I certainly miss out on plenty of it, but the years don’t pass me by the way they did in the 90’s. Then, I skimmed past the pop or rock hits of the day (remember when rock music WAS pop?) on my way to the classic rock station in between Grateful Dead or Phish tapes. Now, I buy albums in wife-aggravating quantities. It’s still hard to keep up but the rewards are rich.

Woods - With Light And With Love

Woods – With Light And With Love (Woodsist (072) 2014)

If you peruse my previous lists, you’ll find one artist prominantly mentioned time and time again: Woods. Their 2014 offering, “With Light And With Love”, constantly finds its way to my turntable. Jeremy Earl and Jarvis Taveniere continue to craft brilliant songs with melodies that seem to already inhabit my heart before the first needle drop. They tidily blend broiling tension into blissful Harrison-esque slide riffs while Earl’s upper register vocals deliver lyrics that kick the heart up into the brain. At this point, they’re on a run of albums few artists have matched since the 70s.

But they’re not alone in commanding my pre-ordering loyalties. White Fence moved to the big time (in indie label terms) with the release of “For The Recently Found Innocent” on Drag City Records. It’s likely no coincidence that Tim Presley’s sometimes collaborator (and recordist for this record), Ty Segall has put out a number of great albums via Drag City. Here, we get more of what Presley does best: bent melodies, sharp lyrics, fuzz boxes, and a disconcerting sense of time. This time, he’s moved on from his bedroom four-track to Segall’s home-studio eight track but little is lost in the upgrade. If you’ve ever taken my recommendation on White Fence before, you know what to do now. If you haven’t, this is the right time to jump in.

Speaking of Ty Segall, his album for Drag City this year, “Manipulator” is a garage rawk classic. Since its release, I’ve constantly gone back when I want to turn up the room and throw down with some high energy awesome.

But it’s not always time to rock out. Continue reading

2012 Album Roundup

2012 LPs

Many of my 2012 LPs

I give up.

I’ve been thinking about the inevitable year-end top whatever list of albums for more than a month now. Countless records have found their way across the turntable or into my phone for listening on the train and some have risen to the top and others aren’t even a blip. But so many of them are just too good to rank, dismiss, or inadvertently diminish by stacking it above (or below) some other great album. The real message that bears conveying is that I’ve listened to a lot of great music this year and, while some of it was new in 2012, some of it dates well back to the past.

In keeping with the spirit of things I’ll limit this post to great things that came out in 2012 but stay tuned for more on those other things that have been occupying my ears in an upcoming post. Continue reading

Spring 2012 Mix

Spring has sprung and that’s as good a reason as any to offer to my readers & friends a mix of some of the music that I’ve been jamming lately.

Woods – Skull – 2011 Summer Tour Split 7″ (Woodsist 2011)
The Cosmic Dead – The Spaceman – Psychonaut (self-released 2011)
David Bromberg – Diamond Lil – Demon In Disguise (Columbia 1972)
Matt Valentine – Hit The Trails – What I Became (Woodsist 2011)
Megafaun – These Words – Megafaun (Hometapes 2011)
Alexander ‘Skip’ Spence – Little Hands – Oar (Columbia 1969)
John Hartford – Back In The Goodle Days – Aereo-plain (Warner Brothers 1971)
Flaming Lips with Neon Indian – Is David Bowie Dying? – s/t (EP) (Warner Brothers/Lovely Sorts Of Death 2011)
Woodsman – Inside Outside – Rare Forms (Lefse/Firetalk 2011)
Brian Eno – St. Elmo’s Fire – Another Green World (Island 1975)
Akron/Family – Sun Will Shine – Set Em Wild Set Em Free (Dead Oceans 2009)

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