Cover Art of J.M. Hart's "So Below" album.

“So Below”, a New Album

Out October 6 on CD, Lathe-Cut LP, Digital, & Streaming

Cover Art of J.M. Hart's "So Below" album.

Friends, I am excited to announce that I will be releasing a new album entitled “So Below” on October 6. Moreover, the album will be available for pre-order on Friday, September 1, on Bandcamp.

Largely recorded in my home studio, affectionately named Shrunken Road Studios, where I also produce the Brokedown Podcast, this third effort contains nine songs both spanning and expanding the scope of my sound heretofore.  

From straight-ahead busker folk to fuzzed out breakup ballads to psychedelic spaces somewhere in between; the world opens up a bit wider on “So Below”. The title comes from the alchemical principle that is often paraphrased, “As above, so below.” But, “Below”, is where we live, love, and die. “Below” is where we fight wars, drink coffee, and gaze out at rising rivers. “Below” is what we can hold in our hands, so the songs are about that realm.

Once again a few friends help out here and there including drummer Ryan Jewell (Mosses, Ryley Walker, half of the recent albums in my collection), and returning collaborators Ben Taylor (Ben Taylor’s Finest Hour, JC Brooks & Uptown Sound) and Scott Ferber (The Jauntee). Mixing and Mastering duties were again performed by Rob Dobson. Otherwise, I play all of the guitars, bass, and random stringed instruments on the record.

“So Below” will be available on most streaming platforms as well as on Bandcamp. Also available, via Bandcamp, will be Compact Discs and a very limited edition, hand-numbered, lathe-cut LP.

“The Investigation of the Rainbow” - Johann Melchior Füssli (Creative Commons - No Rights Reserved)

Physical purchases will come with a special download of “Zones Below”, a digital-only album featuring songs from the album “So Below” remixed by some friends:

James Toth (James & The Giants, Wooden Wand, One Eleven Heavy), J. Moss (Modern Folk Trio Band), Ben Taylor (Ben Taylor’s Finest Hour, JC Brooks & Uptown Sound), Brian Mosley (Electric Catnip), Doug Kaplan (Mr. Doug Doug), & Francis Thornton II (Without Mirrors, Programmed Cell Death).

You can find “So Below” at: https://jmhart.bandcamp.com/album/so-below

—Further news:

In July, I got out and played a show, live, in person, opening for Jon Camp and Kevin Coleman. It was a small affair, conveniently local, and great fun. I’m hoping to play more shows in the near future. Watch this space for details!

J. M. Hart performing; playing acoustic guitar and singing.
Your host in the mountains with a blue sky behind him

Newsletter – Spring 2023

Hello Friends!

I call you “friends” though we may not even be properly acquainted because if you follow this we are unlikely to be enemies (Not sure I have any of those) and you deserve to be treated in a friend-ly fashion. 

If you’ve opened this expecting album news, then we will both be pleased that I can tell you that the next album is recorded currently being mixed. Determining the method of release beyond the obvious ones and zeroes of the Bandcamp page is on the agenda along with the means to do so. Please reach out and let me know if you have preferences or other related thoughts. Are you craving cassettes? Need a 7” (I’ve got some!)? Do you have a label that is interested in releasing song-based music?

I want to hear it!

The album has a couple old friends and at least one newer friend lending a hand to what is otherwise a fairly solo effort. Some of it is a bit different to what I’ve previously dropped so I hope you’ll stay with me for the ride. There will also be some fun extra things about which I don’t wanna over-share. Next time, perhaps.

Meanwhile, I’m already recording more songs and visualizing a world in which a fourth record will exist. No rush on that.

a 7" record and 2 compact discs that are for sale and, in fact, on sale.

This Friday, there will be nothing new on my Bandcamp page aside from low-low prices on all physical media. Get your physical media on the cheap and enjoy it forever. Seriously. Get it out of my studio and into your life.

It’s Spring. Winter only passingly dropped by my corner of Virginia so we’ve no snow to curse as it sorts itself into the storm drains but we are bidding farewell to the cold and hello to the sniffles and blooms of warmers days and nights. We’ve been trying to get outdoors more frequently (Remember outdoors? It’s where the record collection isn’t)  and so far it’s mostly just a ploy to generate undignified sweat in mountain trails but, the views have been nice…

Your host, J.M. Hart with a substantial vista of Blue Ridge mountains behind him. The sky is blue with a few light, white, clouds.

There continues to be talk of live performance and I hope to bring news of such a thing to you soon. Maybe. Is that a thing you want? Do you want to attend or even host a show? Please let me know.

To that end and in aid of the earlier album talk, I’ll remind you that my mailbox is here for your queries, missives, and complaints. Please post your electronic mail to rowjimmy at gmail. 

Also, following on the last newsletter, I should inform you that I am not to be found on twitter and, in fact, haven’t looked over the fence into that particular dump since my previous mailing. I am on Mastodon, as I stated, at @rowjimmy@shakedown.social. If you don’t know how that all works, ask your kids.

Please stay tuned here for future updates or follow me on Bandcamp to get the condensed edition in your email…

Slips, Trips, & Falls Album Release

(Archived news, June 2022)

"Slips, Trips, & Falls" Album Cover

“Slips, Trips, & Falls” my second full album, is out now!

Featuring seven original songs, “Slips Trips, & Falls” was also home recorded with a bit of remote assistance from friends. It is available digitally from most major streaming & purchase platforms as well as on my Bandcamp page (jmhart.bandcamp.com) where you will also find CDs. 

I’ve even seen some favorable reviews this time around from Record Crates United:
“striking a fine balance between pleasant country-tinged singer-songwriter fare and cosmic Americana,”

and Here Comes The Flood:
Hart is never in a hurry with his music, carefully choosing his words, and wrapping his lyrics in cosy layers of various string instruments.


Sunken Road

(Archived News from 2021)
Sunken Road Album Cover

Sunken Road“, my first album, came out on Aug 6 2021! You can find it on my Bandcamp page, jmhart.bandcamp.com.

The album features nine original songs, and was recorded at home; two with a little help from friends. It is available in a very limited lathe-cut (Sold Out!), on cd (remember cds?), and as a digital download. You can also find a 7″ vinyl single on that page. Check it out below!

As of 2022, “Sunken Road” is also available on all major streaming platforms that do not end in “tify“.

Favorite Albums of 2020

Folks, this has been a hell of a year. Some might call it a hellscape of a year. I’m writing this in hopes that you and yours are making it through and hoping to see the daylight of a better 2021 on the horizon. I know that’s a tall order. One thing that has helped me day-to-day is the same thing that I’ve rushed to forever: music. Staying home every day has kept me close to my record collection and there has been no slow-down to its growth. I could admit that I have a problem but I’m fairly certain that the fault lies with the artists who cannot stop producing outstanding and very collectable work.

Previously, I have sworn off ranked album of the year lists. I have since bristled at even attempting unranked lists because there’s so much to share that I’m definitely going to forget something. My wife blames my broad and insatiable taste in music. She really gets me. Some of these have been mentioned on my podcast, BrokedownPod. A few of these artists have even been so gracious as to appear on the show. The mission here is not to plug the show it is also not intended to turn into a push for Bandcamp. But then I realized that almost everything here can be found there. You can also find a slew of stuff that didn’t make the list if you go to my profile: https://bandcamp.com/rowjimmy

Now it’s time for an impenetrable list featuring more content than you can shake a stick at, and presented in no discernible order. There is a little bit of a sequence or flow devised that might serve if you took the time to listen to each in order but… no one is going to do that. I purposefully wrote this in several sittings because each time I stepped away, I thought of things that I couldn’t leave out. Even still, I left some great stuff out so, an honorable mentions list will likely follow. I finally decided to cap the list at twenty-five items because, as arbitrary numbers goes, that’s a pretty good one. I love all of these for different reasons, some of which I will attempt to explain.

  • Woods – Strange To Explain
    • I’m putting this one first because they show up on my list every year they put out a record. I wonder if these guys could put out an album that I don’t like? I’m not pushing for that. They’ve grown as humans and musicians and it’s plain in this record. (Bandcamp)
  • Dire Wolves – I Just Wasn’t Made For These Set Times
    • Deep, group explorations in the line of their other recent studio work. This is for the heads. Live set “Flow & Heady” (out on Feeding Tube Records) is aptly named and well worth your energies too. (Bandcamp)
  • Wet Tuna – Eau’d To A Fake Bookie Vol. 1-3
    • Look, the Matt Valentine/COM universe is vast. These excursions have extended it throughout the dark 2020 times. Ride these waves into the wired weird spaces. (Bandcamp)
  • Chris Forsyth/Dave Harrington/Ryan Jewell/Spencer Zahn – First Flight
    • Collaborating with great players is the theme for a couple of Forsyth’s releases this year. This live record has enough energy shooting through it to keep your speakers warm in the coming winter. Don’t sleep on the Peoples Motel Band record with Garcia Peoples! (Bandcamp)
  • Mosses – T.V. Sun
    • Speaking of Ryan Jewell, it seems an age since he was on BrokedownPod. we spoke of this album and played a little and, to be honest it feels like I’ve always had this album. It’s mind and genre bending and rewards multiple listens. (Bandcamp)
  • Garcia Peoples – Nightcap At Wits’ End
    • These guys just keep growing and showing more strengths than is fairly contained in a single young band. (Bandcamp)
  • Nick Mitchell Maiato – Pino Carrasco
    • One Eleven Heavy had plans for 2020 that got scrapped. Some of those plans were folded into Nick’s recorded-in-lockdown jammer that I keep going back to play. Get it. (Bandcamp)
  • Trummors – Drop Out City
    • Cosmic American music goes west. Great songs and deep vibes. I celebrate their entire catalog. (Bandcamp)
  • Pacific Range – High Upon The Mountain
    • These California cats get it. Produced by Dan Horne (Circles Around The Sun) who had a great EP this year himself (The CATS record is good too!) (Bandcamp)
  • Color Green – s/t
    • More cosmic Californian vibes on this EP. I’m looking forward to a full length because, if you could wear out a digital download, I might have done by now. (Bandcamp)
  • Joan Shelley – Live At The Bomhard
    • Late to Joan’s work, I found it in a big way this year when I ordered this and wow did it deliver. Her voice shimmers and her words are deployed with precision. Backed by a band of ringers too. (Bandcamp)
  • Bonny Light Horseman – s/t
    • Sort of a super group, perhaps, featuring Anaïs Mitchell, Josh Kaufman, and Eric Johnson delve into traditional folks sounds and come away with a lovely record. (Bandcamp)
  • Hello Emerson – How To Cook Everything
    • Panning from plaintive to soaring this album spins honest and relatable thoughts into a truly compelling set of songs. (Bandcamp)
  • Chris Sedelmyer – Ravine Palace
    • Known, perhaps, for his work with Jerry Douglas (who guests on this) Sedelmyer should hereafter be remembered for this stunning set of compositions and playing. Can’t wait to hear the next one. (Bandcamp)
  • Matt LaJoie – Everlasting Spring
    • Spiraling guitars inducing trance states is where this lives. LaJoie’s Flower Room Records has been prolific throughout 2020 with tons of great music for your mind. (Bandcamp)
  • Steve Palmer – Useful Histories
    • The phrase “visionary expanse” comes too mind when I try to place this music. Guitar driven, aural treat. (Bandcamp)
  • Prana Crafter – Morphomystic
    • The soundtrack to an adventure deep into the dark heart of a forgotten magic forest. Will Sol’s guitar carries you from your seat into an otherworldly realm. (Bandcamp)
  • Barry Walker Jr. – Shoulda Zenith
    • Taking pedal steel beyond previously perceived limits, Walker is at times treating it like Paul Metzger does a banjo. Not just a fancy slide guitar, the pedal steel becomes a medium for un earthly sounds on this fascinating record. (Bandcamp)
  • The Howard Hughes Suite – Smoke From A Future Fire
    • Another, but very different pedal steel driven album. Less experimental and more ethereal. Elsewhere I compared this to “an oil painting of a distant landscape, textures and details arise and serve as conveyance to another place.” Either way, a good listen. (Bandcamp)
  • Josh Kimbrough – Slither, Soar, & Disappear
    • North Carolina finger style guitar player, Kimbrough, captures the ear and imagination with this set of instrumental tunes; meditations on a new sort of life. (Bandcamp)
  • Elkhorn – The Acoustic Storm Sessions
    • Elkhorn again expands their duo format to worthy effect. Pairs nicely with the preceding “Storm Sessions” LP. (Bandcamp)
  • Rose City Band – Summerlong
    • Quickly on the heels of the previous cosmic country jammer, Ripley Johnson (Moon Duo, Wooden Shjips) delivered one of my top Summer spins. (Bandcamp)
  • Dogwood Tales – Closest Thing To Heaven
    • This feels like Virginia. Not the Virginia you outsiders think you know but real, rolling down the the mountains to the piedmont sorta Virginia. Folk Rock shot with Country and the grease of an I-81 truck stop. There’s also a nice live release. (Bandcamp)
  • Zachary Cale – False Spring
    • He was JUST on my podcast. This album has wrapped me up and held me on many a day this year. I expect that it shall continue to do so for some time yet. (Bandcamp)
  • Gillian Welch & David Rawlings – All The Good Times
    • This record might be my favorite for the year if I were forced to pick just one. It’s loaded with stunning beauty, sadness, and joy. The material runs from traditional to Norman Blake, Bob Dylan, and the late John Prince. While limited and rare in physical form, the digital is still available for what is basically required listening. (Bandcamp)